The Nitrate Stock ClamFest Weekend Getaway! Again! This is not a giveaway contest! Are you fundamentally incapable of understanding another person's vacation? G'wan, call the Consumer Protection Bureau!!! The deep-friers will get me far faster than you!!!

New York City's premiere resource for classic film screenings in the metropolitan area. Offering reviews, recommendations, venues and a host of links keeping classic film and the silver screens alive.

Oh fried everything, how do I love thee let me count the yeah don't cut the line I'm waiting for my Corned Beef n' Cabbage Eggroll. Don't make a bad guy outta me.

 

Yes, Stockahz, I miss you all too. Tremendously so. It's been a struggle to maintain some consistency with this website over the last few months, but I wanna make sure I provide, at the very least, the essential info to keep you, the rep film circuit public, but more importantly my precious readers, with the full skinny at yer fingertips. The odd bribe here and there hasn't hurt either. Wait, did I say bribe? I meant graft. Hang on, lemme head to Webster.com...

So to today's point. I'm taking a much-needed overnight VayCay to that most sacred spot I make pilgrimage to every August, one of the very few reasons this Bronx Boy would ever venture into New Jersey. Yes, True Believers, I'm jumping on the ferry and diving head and feet first into the annual Clamfest! And to those who will deem that anatomically impossible, you haven't seen me at Clamfest.

My debauched dietary delvings aside, my real concern is providing you, my loyal cult member, the exacts about this weekend's rep film offerings. My second concern is having a defibrillator at the ready, which could very easily leapfrog into 1st concern, depending on whether they have those Corned Beef n' Cabbage Egg Rolls again, but for the moment it's YOU SWEET YOU!!!

So with heartfelt abandon and whatever acumen you might assume I possess, here are my Picks for the next 3 days. Any gripes you might have regarding my choices? Forward them to Gov. Christie. He's taking calls.

 

Friday August 5th 2016

 

Film Forum

ELEVATOR TO THE GALLOWS (1957) Dir; Louis Malle

 

MoMA

Modern Matinees: Summer with Judy Holliday

PHFFFT! (1954) Dir; Mark Robson

 

Gaumont: Cinéma pour tout le monde

LES AMANTS DE MONTPARNASSE (1958) Dir; Max Ophüls

ANTOINE ET ANTOINETTE (1947) Dir; Jacques Becker

 

BAM Cinématek

Joe Dante at the Movies

GREMLINS (1984) Dir; Joe Dante

 

Metrograph

Dim All the Lights: Disco at the Movies

THANK GOD IT'S FRIDAY (1978) Dir; Robert Klane

 

Welcome to Metrograph: A to Z

KING OF NEW YORK (1990) Dir; Abel Ferrara

 

Williamsburg Oval, Bronx

JAWS (1975) Dir; Steven Spielberg

 

John Paul Jones Park, Brooklyn

AN OFFICER AND A GENTLEMAN (1982) Dir; Taylor Hackford

 

Museum of the Moving Image

See it Big: 70MM!

SPARTACUS (1960) Dir; Stanley Kubrick

 

Anthology Film Archives

Essential Cinema

IVAN THE TERRIBLE PARTS 1 /7 2 (1942-46) Dir; Sergei Eisenstein

 

Rubin Museum

Cabaret Cinema

FELLINI SATYRICON (1969) Dir; Federico Fellini

 

Nitehawk Cinema

FASCINATION (1979) Dir; Jean Rollin

 

Today's Pick? Kubrick's SPARTACUS, the slave epic that eventually led to the liberation of hundreds of Blacklisted screenwriters. It screens in its native widescreen format, on celluloid, at what might be NYC's finest rep venue, Astoria's Museum of the Moving Image. Words will never fully do justice regarding my love for this joint. So just swipe yer Metrocard and discover for yourself. There'll never be a better opportinuty.

 

Saturday August 6th 2016

 

Nitehawk Cinema

THE GOOD, THE BAD, AND THE UGLY (1966) Dir; Sergio Leone

 

Film Forum

ELEVATOR TO THE GALLOWS (1957) Dir; Louis Malle

 

Metrograph

Dim All the Lights: Disco at the Movies

SATURDAY NIGHT FEVER (1978) Dir; John Badham

NIGHTHAWKS (1978) Dir; Ron Peck

 

Mid-Manhattan Library

CADDYSHACK (1980) Dir; Harold Ramis

 

Museum of the Moving Image

See it Big: 70MM!

KHARTOUM (1966) Dir; Basil Dearden

SPARTACUS (1960) Dir; Stanley Kubrick

 

MoMA

Gaumont: Cinéma pour tout le monde

PERSONAL COLUMN (1939) Dir; Robert Siodmak

HATRED (1938) Dir; Robert Siodmak

 

Anthology Film Archives

Essential Cinema

BATTLESHIP POTEMKIN (1927) Dir; Sergei Eisenstein

STRIKE (1928) Dir; Sergei Eisenstein

 

St. Mary's Park, Bronx

PARIS BLUES (1961) Dir; Martin Ritt

 

BAM Cinématek

Joe Dante at the Movies

GREMLINS 2: THE NEW BATCH (1989) Dir; Joe Dante

 

Nitehawk Cinema

FASCINATION (1979) Dir; Jean Rollin

 

My Pick? Easy. My fave Western of all-time unspools this afternoon, and tempts so mightily that I would not only consider a return trip to the 5 boroughs just to attend, but also actually WAKING UP BEFORE 10 AM! Not even jury duty can achieve this feat!

Sergio Leone's THE GOOD, THE BAD AND THE UGLY, my fave western all-time, meets my fave root beer/tater tots combo all-time at the Nitehawk Cinema. You have to wake up very early in the morning to avoid Tuco Benedito Pacifico Juan Maria Ramirez. And if you mis him, you etter hope he doesn't know it.

 

Sunday August 7th 2016

Nitehawk Cinema

THE GOOD, THE BAD, AND THE UGLY (1966) Dir; Sergio Leone

 

Film Forum

ELEVATOR TO THE GALLOWS (1957) Dir; Louis Malle

Metrograph

Old & Improved

TEN MINUTES TO LIVE (1932) Dir; Oscar Michaeux

 

Dim All the Lights: Disco at the Movies

CAN'T STOP THE MUSIC (1980) Dir; Nancy Walker

 

Museum of the Moving Image

See it Big: 70MM!

SPARTACUS (1960) Dir; Stanley Kubrick

KHARTOUM (1966) Dir; Basil Dearden

 

Anthology Film Archives

Essential Cinema

OCTOBER (1928) Dir; Sergei Eisenstein

OLD AND NEW (1929) Dir; Sergei Eisenstein

 

MoMA

Gaumont: Cinéma pour tout le monde

GRADUATE FIRST (1978) Dir; Maurice Pialat

 

My Pick? Nancy Walker's CAN'T STOP THE MUSIC, screening as part of the series Dim All the Lights: Disco at the Movies at our newest and brightest rep venue, the LES's Metrograph! Why? 'Cause it's summer. 'Cause it's one of the few films pre-80's directed by a woman. 'Cause Bruce Jenner. Lok, is there anything as absloutely bugfuck on the sked today? Don't pass up this chance to witness folly writ so large in the format intended!

 

And that's that. Now, on to the deep fried corn. On the cob. If you never hear from me again, it's been an honor. But really, I'm okay going out over deep-fried corn on the cob. My lawyer has all the paprs drawn up.

 

Also, I'm re-thinking the site's format and the frequency of my posts, so you may not hear as much from me as I've provided over the past 4 years. But I will post. I will keep the callie updated. I promise to restart the podcast in a different format. What I mean to say is my devotion to the rep film circuit and its devotees and to all of you who've supported this site will wane not a jot. I live and breathe film. And I'll continue to prove it. Count on me.

 

For more info on these and all NYC's rep film screenings in August '16 click on the interactive calendar on the upper right hand side of the page. For reviews of contemporary cinema and my streaming habits (keep it clean!) check out my Letterboxd page. And be sure to follow me on both Facebook, where I provide further info and esoterica on the rep film circuit and star birthdays, and Twitter, where I provide a daily feed for the day's screenings and other blathery. Back soon with new Picks 'n Perks, til then safe, sound, make sure the next knucklehead is too!

 

JoeW@NitrateStock.net

 

P. S. Summer's canine dusk-til-dawn's have soundly parked themselves over our fair metropolis like the giant saucers from INDEPENDENCE DAY, but warmer weather notwithstanding some of our fellow NY'ers have still yet to be made whole in the wake of the 2012 storm. Should you be feeling charitable please visit the folks at OccupySandy.net, follow their hammer-in-hand efforts to restore people's lives, and donate/volunteer if you have the inclination and availability. Be a collective mensch, Stockahz!