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STOCKAHZ! A hale and hearty m'wah to all of you who've survived the first head of the calendar's annual iteration of the Orthrus, that cold, dark, insidious beast known as January. It's twin set of fangs, the equally mean and miserable February, growls still, but once quelled no longer blocks us from exhibition baseball, St. Patrick's Day and the absolute catastrophe bearing the monicker BATMAN V SUPERMAN. Regardless of all other doings in the world outside the rep film circuit, us Cinegeeks have much to look forward to over this coming Leap Month. Yes!
Oh, my old, weathered, wizened, worrisome foe who goes by the none too popular monicker of January. How fleet your reign has proved this year. How unwelcome your constant 31 day sense of dread remains. How glad we will all collectively be whence your annual interment, however temporary, commences. It also means that your despicable cousin, otherwise referred to as the NFL, also soonly meets its deserving, if also temporary end. Spring and Summer '16 loom just around the bend, we have merely to survive you and your successor, the perhaps even more scabrous February, although it boasts the mitigating circumstance of having only 28 days. Except this year it gets the extra Leap Year 24 hours. So my guard rests not. But my ebullience regarding the rep circuit's kinetic activity waxes.
New and continuing series this day include Film Forum's trib to The Coen Brothers, MoMA's trib to both silent-era Western Pioneer William S. Hart and influential choreographer Jack Cole, mother/daughter trib Jane and Charlotte Forever at the Walter Reade Theater, the third leg of AFA's trib to American International Pictures, the Justice in Film series at the New York Historical Society, and the leg-room luxurious Cabaret Cinema at the Rubin Museum. The antiquated antics be thus;
New and continuing series this day include the tribs to silent-era Pioneer Cowboy William S. Hart and influential choreographer Jack Cole at MoMA, and the kickoff to the 3rd portion of Anthology Film Archives' celebration of American International Pictures' grand legacy. The box office brouhaha be thus;
Ongoing series this day include MoMA's celebration of one of Hollywood's most influential choreographers, All That Jack (Cole), and the French Institute's regard for a legendary Franco DP, Lhomme Behind the Camera. The repertory rapscallionery be thus;
Okay, bad joke, and the actual controversy is a serious one. I just couldn't resist. We'll talk about the legit problems systemic and endemic in a later post. For now, however, let's pursue our ongoing passion for antiquated celluloid. Ongoing series this day include the Charlotte Rampling & Christopher Lee tribs at IFC Center, Modern Matinees: A Pioneer Cowboy and All That Jack (Cole) at MoMA, and the legroom-generous Cabaret Cinema at the Rubin Museum of Art. The halide hysteria be thus;
New and continuing series this completely bone-chilling day include the closure of Film Forum's wonderful celebration of the Bard on film, Stratford-On-Houston, and two programs at MoMA; the onging Modern Matinees: A Pioneer Cowboy and the newly beginning All That Jack (Cole). The halide hipsterism be thus;